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Papers On Othello
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Keys to Shakespearean Conflict
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(10 pp) In any tragedy, it is tension or conflict
which keeps the play moving. Modern jargon would
call it "spin" and "counterspin." In this
discussion we will compare the sources of conflict
in two plays, Othello and Macbeth. Iago and Lady
Macbeth are our major obessives, the first prompted
by frustration with being passed over in military
command, and the second with a compulsive need for
power and title.
Filename: BBOthMcB.doc
Lines from Othello
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A 3 page research paper that offers 12 lines quoted from Shakespeare's Othello and then offers a brief explanation for the meaning and purpose of each line. No additional sources cited.
Filename: khlinoth.rtf
Love and Distrust in Shakespeare's "Othello"
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A five page paper looking at the unhappy relationships in this classic tragedy by William Shakespeare. After analyzing the relationships of Othello and Desdemona, Desdemona and Roderigo, Cassio and Bianca, and Iago and Emelia, the paper concludes that love founded on distrust is doomed to failure, because communication and trust are the most important elements in a relationship. No additional sources.
Filename: KBothel5.wps
Love as the Tragic Flaw in William Shakespeare's 'Othello'
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A 5 page paper which examines how Othello's excessive love for Desdemona led to his own downfall. No additional sources are used.
Filename: TGothflaw.rtf
Michael MacLiammor Plays Iago
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(5 pp) In the Orson Welles' 1952 film, Othello
begins where it should end, with the funeral
procession for Othello and Desdemona The horizontal
Othello and Desdemona are glimpsed between the tall
vertical spears of armored soldiers, other times
in long shot. Then viewed from an overhead,
probably a crane shot, suddenly there is a wretched
man, a rope around his neck, being dragged through
the crowd toward a heavy and primitve-looking cage.
Bibliography lists 2 sources.
Filename: BBiagMLR.doc
Michael MacLiammor Plays Iago.
[ send me this paper ]
(5 pp) In the Orson Welles' 1952 film, Othello
begins where it should end, with the funeral
procession for Othello and Desdemona The horizontal
Othello and Desdemona are glimpsed between the
tall vertical spears of armored soldiers, other
times in long shot. Then viewed from an overhead,
probably a crane shot, suddenly there is a
wretched man, a rope around his neck, being dragged
through the crowd toward a cruel and
savage-looking cage. Bibliography lists 2 sources.
Filename: BBiagoML.doc
One Scene From "Othello"
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A 5 page paper which examines a particular scene from
Shakespeare's "Othello." The scene is that which involves Emilia's discovery of
Desdemona's handkerchief and her decision to give it to her husband Iago, unaware of his
intentions. This scene is discussed in terms of character, setting, symbolism, language,
tone, revelations about character, foreshadowing, conflicts, subplots, and transformations.
No additional sources cited.
Filename: RAotheml.rtf
Othello
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A 3 page paper which examines three attributes possessed by Shakespeare’s Othello. No additional sources cited.
Filename: RAoth3t.rtf
Othello
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A 3 page paper which examines the reason for Othello’s murder of Desdemona in Shakespeare’s “Othello.” No additional sources cited.
Filename: RAoll.rtf
Othello
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A paper which looks at the devices which Iago employs to incite Othello's jealousy, and the use of dramatic irony in the relevant scenes of the text.
Filename: JLiago.rtf
Othello - Analysis Of Symbolism
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This 5 page research paper examines the use of symbolism in the Shakespearean play, The Tragedy of Othello, The Moor of Venice through use of examples and quotes. Bibliography lists 2 sources.
Filename: Othlosym.rtf
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